When I hopped the fence from true crime to historical fiction, I couldn't anticipate that my background research would uncover a completely unknown musical comedy libretto by Raymond Chandler that shatters the familiar narratives of his late-life literary career and legendary marriage. But I am so, so grateful that it did.In The Guardian, Sarah Weinman shares the story of my discovery of the comic operetta The Princess and the Pedlar, and why the Chandler Estate would rather you didn't know about it. If you'd like to help me stage this remarkable show in Los Angeles, please click here.
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